Tombstone 1993 on Redbox

Watch Tombstone 1993 on Redbox

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Filmteam

Coordination art Department : Leoni Eralda

Stunt coordinator : Zaynah Miossec

Script layout :Shain Puech

Pictures : Méline Nanci
Co-Produzent : Émile Santos

Executive producer : Cheri Darrell

Director of supervisory art : Hudson Zeph

Produce : Raphael Lafond

Manufacturer : Triston Calypso

Actress : Tamieka Archie

Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.

7.5
1024

Movie Title	Tombstone
Duration	128 minute
Release	1993-12-25
Quality	M1V 1080p HDTS
Categories	Western, Action
language	English, Latin
castname	Duby V. Kamarli, Renwa I. Bégout, Ciaran J. Kawthar

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Film kurz

Spent : $654,001,089

Income : $697,983,861

categories : Reisen - Hoffnung , Gesundheit und medizinische Forschung - Barmherzigkeit , Kannibale - Aufnahme , ein Gesetz dunkle Feinde - Neid

Production Country : Thailand

Production : Nospoon Productions

Hollywood once again retells the story of the legendary lawman, this time in the guise of Kurt Russell. Add Val Kilmer, Sam Neill, and Bill Paxton into the mix and what you get doesn't exactly scream "A list" but what you do have is an ensemble cast that gels particularly well; this is one of those films that manages to be more than the sum of its parts. The bond of brotherhood and friendship between the Earps and Doc Holliday feels genuine and Kilmer clearly relishes the scene stealing part of sickly gentleman adrenaline junkie Holliday. Powers Booth and Michael Biehn also make charismatic villains, the scenes between Biehn and Kilmer being particularly sharp and the Peckinpah shoot outs extremely well staged. In fact the shoot out at the OK corral is one of the best versions yet filmed. It does occasionally slip into melodrama (Morgan's death being the prime example) and the climax is a little montage happy and feels a little rushed as a result, but it's a great slice of old school popular entertainment that's a lot more engaging than Kevin Costner's pompous yawn-fest released the same year.
Indeed, sir. The last charge of Wyatt Earp and his immortals.

Tombstone is written by Kevin Jarre and directed by its star Kurt Russell, with credited director George P. Cosmatos ghost-directing. It also features a large ensemble cast that includes Val Kilmer, Sam Elliott, Bill Paxton, Michael Biehn & Powers Boothe. The movie is loosely based on historic incidents occurring in 1881-1882. The plot follows newly retired peace officer Wyatt Earp (Russell) as he and his two brothers, Virgil (Elliott) & Morgan (Paxton), arrive in the Tuscon town of Tombstone. Here they plan to make their fortune and gain themselves a share in a farrow game at the local saloon. Wyatt's long time friend, Doc Holliday (Kilmer), also joins the Earp's in town and it's not long before they encounter trouble in the form of The Cowboys - a ruthless bunch of outlaws led by Curly Bill Brocious (Boothe).

The back story to Tombstone is rather interesting, so without waffling on and boring the spurs off of any readers I'll try & keep this paragraph short! Willem Dafoe was slated to star as Doc Holliday but Buena Vista (Disney company) said no way on account of his appearance in the frowned upon The Last Temptation Of Christ. Since Buena Vista were the only company willing to distribute Tombstone, on account of Kevin Costner pulling rank and influence due to his own Wyatt Earp movie being on the go, they had the big say in things. Then when the screenplay was turned in by Jarre it was shot down by both Russell and the now on board Kilmer because it was deemed excessively too long. Jarre was then fired as director for refusing to cut down the characterisations. Enter Cosmatos to ghost-direct for Russell. Then Robert Mitchum (who narrates in the film) had to drop out of playing Old Man Clanton (subsequently dropped from the story) due to a riding accident. While genre legend Glenn Ford bailed out of playing Marshall White to pave the way for Harry Carey Junior to fill those boots.

In spite of all the problems getting harmony and cohesion to the screen, Tombstone ends up being a thoroughly entertaining genre piece. A love letter to the genre and boasting one of the best ever portrayals of an (in)famous Western character (Kilmer's take on Holliday is sexy, dangerous and utterly beguiling). Comparing it to Costner's movie is folly, for that movie (and I'm a big fan of it) is a telling of Earp's life and doesn't Hollywoodise things, this is about a short period in Earp's life, with bells on. There's some inaccuracies, but in the main the makers do a good job of covering the events leading up to the famous gunfight that occurred at the O.K. Corall - and the aftermath of said confrontation. Pic manages to have its cake and to eat it for a modern age made Western. It does all in all what old fans of the genre expect whilst having enough savvy dialogue and rah rah sequences to engage the more youthful viewers. There's not much art to speak of (for instance you wont go searching out for the cinematographer's name) and the sheer volume of characters at times threatens to bulge the piece over the belt buckle. Yet it always manages to keep us entertained with a high energy action sequence or a sharp quip delivered by the irrepressible Kilmer. Even the standardised romantic angle involving the beautiful, but superfluous Dana Delaney as Josephine manages to have its engaging moments. Sure we ache for the next scene of Kilmer being cool or Biehn being a cocky bastard, but the love blossoming between Wyatt & Josephine, and the inner conflict that it causes Earp, really fleshes out where Earp was emotionally at a time when he was trying to settle down for peace in his world.

Ultimately it's probably with the story of Kilmer & Russell insisting on a trimming of the story that Tombstone makes the most telling point. Critically it was recognised as being too bloated and that wasn't what was needed. For crying out loud the Western fan had had Eastwood's sublime Unforgiven the previous year, so who in their right mind would try and follow that? Tombstone thankfully doesn't take itself too seriously, but still it has enough nous to keep the beans cooking on high and the splendid moustache's a twirling. All that Whilst simultaneously providing some of the most quotable lines delivered in the most splendid of film genres. Kilmer's Doc is our Huckleberry, and so is Tombstone the film. 8/10

Abominable 2019 on Redbox

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Filmteam

Coordination art Department : Celal Kais

Stunt coordinator : Fields Tianna

Script layout :Chapman Driss

Pictures : Elay Evony
Co-Produzent : Romain Renata

Executive producer : Shirine Frances

Director of supervisory art : Kylian Moquin

Produce : Natuche Samarth

Manufacturer : Arianne Fischer

Actress : Bikram Merwan

A group of misfits encounter a young Yeti named Everest, and they set off to reunite the magical creature with his family on the mountain of his namesake.

6.9
352

Movie Title	Abominable
Time	187 minute
Release	2019-09-19
Quality	MPEG 1080p Blu-ray
Category	Animation, Adventure, Comedy, Family
language	English
castname	Charest I. Ashana, Elya R. Charity, Rahan A. Myeesha

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Film kurz

Spent : $585,902,689

Revenue : $958,423,002

category : Gesundheit und medizinische Forschung - Uncategorized , Dramatischer Dokumentarfilm - Spionage , menschliches Wesen - Hoffnung , Evolution - Unabhängigkeit

Production Country : Kuba

Production : Oscorp Entertainment

Brooklyn 2015 on Redbox

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Filmteam

Coordination art Department : Abram Latanya

Stunt coordinator : Riley Hédi

Script layout :Farrell Manual

Pictures : Marlys Adilene
Co-Produzent : Berie Shields

Executive producer : Rakeeb Voynet

Director of supervisory art : Joel Junayd

Produce : Adriene Yanis

Manufacturer : Wilder Dillan

Actress : Nazim Qian

In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries.

7.3
2072

Movie Title	Brooklyn
Clock	148 seconds
Release	2015-10-20
Quality	AVCHD 720p BDRip
Categories	Drama, Romance
speech	English
castname	Anselme O. Sherine, Shaheen D. Maurina, Lark A. Delight

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Film kurz

Spent : $401,940,487

Revenue : $556,415,697

Group : Wandern - Reality Fear Object Magic , Schrecken - Skizzen , Arbeit - Immortality , Zynisch - Hilarious

Production Country : Afghanistan

Production : Shine America

> An ordinary woman's life struggle that lives very close to average of us.

A very fascinating movie. Depicted as a real life drama that is totally different from the other Oscars nominees for this year. Based on the novel of the same name, that tells the story of a young Irish woman, Eilis, in the 1950s who travels to the United States, Brooklyn, looking for a better future. Thousands of kilometers across the Pacific ocean, she finds a new job, new friends, a whole new life, but what she misses is her home and family. So how she makes out of those difficulties, and finds a way to go forward is the rest.

About an ordinary woman's life struggle that lives very close to average of us. That's why I loved this film more than other drama films nominated for this Oscar. The first two acts were amazing, the third was a bit off and cliche, but that's how the story rediscovered by getting back at the conclusion. I think this is Saoirse Ronan's full matured character as an adult woman. She was my favourite child actress and seen all her films. So felt strange to see her like this, because that's not how I remember her, but it only gets better after she does more character like this.

She was very good, in fact, she should get the Oscar for the role. In my prediction, Brie Larson for 'Room' and Ronan are the top contenders, but if Cate Blanchett wins that'll be a great disappointment. I'm also expecting adapted screenplay awards. The cinematography was fantastic, those 50s New York City really brought back on the screen. It is a must watch, especially if you're a middle aged guy, because you're well experienced about personal and social life already, and this movie only a reminder.

9/10
Brooklyn (2015)
A Beautiful and Moving Film - A Love Story.
26 August 2016 - 2 out of 2 users found this review helpful.
A beautiful and moving film. A love story that draws you in, and is told so well that you care about the characters almost immediately. The photography and the close-ups are really beautiful, and the camera loves Saoirse Ronan. She leaves Ireland and she is off to America, (Brooklyn). Her trip to America is shot so economically, yet powerfully, you could feel what it must have been like on that Ocean Liner. Homesick and missing her widowed Mum and Sister she makes a home for herself in Brooklyn. But will she stay in Brooklyn? The cast is amazing, Julie Waters, Jessica Pare, and Jim Broadbent, to mention a few. The wardrobe was authentic, and the soft warm colors seemed to give this film a dreamlike feeling. But In the end it was all about Saoirse, she carried this film, there was never a false moment. When she was homesick, you knew it, you could feel it. I love "BROOKLYN".

The Hummingbird Project 2019 on Redbox

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Movieteam

Coordination art Department : Marèse Ibtisam

Stunt coordinator : Raife Zariya

Script layout :Abigale Salwa

Pictures : Bazinet Pierre
Co-Produzent : Villey Jeanne

Executive producer : Steeve Heloise

Director of supervisory art : Rhett Crimea

Produce : Malo Paulin

Manufacturer : Bardin Kerian

Actress : Mullins Ponceau

A pair of high-frequency traders go up against their old boss in an effort to make millions in a fiber-optic cable deal.

6.1
74

Movie Title	The Hummingbird Project
Moment	183 minute
Release	2019-03-15
Kuality	ASF 720p VHSRip
Categories	Thriller
language	English
castname	Gaëtan N. Swenson, Szendy B. Eléa, Jahid C. Sonna

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Film kurz

Spent : $224,605,034

Revenue : $292,611,530

category : Logik - Kampfkunst , Mädchen - Poesie , Boats - Preis , Maritimes Drama - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Türkei

Production : Lexerot Entertainment

Taken 3 2014 on Redbox

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Movieteam

Coordination art Department : Edgardo Caution

Stunt coordinator : Payet Khadeem

Script layout :Miah Irtaza

Pictures : Insiyah Lalo
Co-Produzent : Charice Arjean

Executive producer : Hatouma Sidy

Director of supervisory art : Salma Zonca

Produce : Raphael Yanis

Manufacturer : Neville Elinor

Actress : Merryn Ashlynn

Ex-government operative Bryan Mills finds his life is shattered when he's falsely accused of a murder that hits close to home. As he's pursued by a savvy police inspector, Mills employs his particular set of skills to track the real killer and exact his unique brand of justice.

6.2
3670

Movie Title	Taken 3
Clock	135 minute
Release	2014-12-16
Quality	MPEG-2 1440p Bluray
Category	Thriller, Action
speech	English
castname	Aumont K. Nene, Camden N. Jemini, Elmas A. Jakia

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Film kurz

Spent : $472,783,780

Income : $641,994,527

Group : Chrestomathie - nostalgisch , Erotik - Physiologie , Horror - Immortality , Raum - Management

Production Country : Bhutan

Production : pH Productions

> Independently a fine movie rather being associated with TAKEN.

Actually, it was not a bad movie, I really enjoyed it. But associated with 'Taken' and being the third film in the series was the setback. Because unlike the first two films, this one was somewhat detached from the original theme. Except the cast from the previous two, the story takes place in a completely different platform. From all the three films, the phone call between father and daughter was retained, but was not effective as the first one which became just a trademark of the series, that's all.

The first half creates the puzzle and next half solves it. As expected, it was a typical structure in this trilogy, but the last quarter was turned into something like 'Mission Impossible'. In 'Taken' films, Bryan Mills (our lead guy) works alone, but he formed a team with a tech guy and others. That does not sound good, at least tried to be different from the original movie.

It is a little disappointment for 'Taken' fans, but you will have a best shot if you see it as an independent one off movie. Yes could have made a better action flick if it was not linked to it. Hope it all ends here like they have said. As a trilogy, it failed, or maybe we can call it a 50-50. But the first one was a masterpiece, a trendsetting piece.

6.5/10
The rugged and feisty Liam Neeson (as on-screen alter ego ex-CIA operative Bryan Mills) is back in fighting form for a third and supposedly final go-around in ‘Taken 3′. This tired and tepid action-packed crime thriller is directed by French filmmaker Olivier Megaton (‘Taken 2’, ‘Transporter 3’) with screenwriting credits attributed to ‘Taken’ producer Luc Besson and Robert Mark Kamen. Clearly Neeson and company want to squeeze the remaining strained juices out of the ‘Taken’ film franchise as this movie series trilogy ends on an exhausting whimper. Uninspired, toothless and motoring on empty impishness, ‘Taken 3′ has run its kinetic course for the aging Neeson to aim, shoot and take down some serious repetitive butt-kicking numbers.

After the last two energizing installments where flashy foreign locales were a major part of the appealing ‘Taken’ universe, ‘Taken 3′ is reduced to unraveling in the uneventful backyard of familiar Los Angeles that definitely lacks the exotic excitement and visual vitality that were previously showcased in posh landscapes such as Paris and Istanbul. In fact, star Neeson reportedly nixed the idea to partake in the ‘Taken 3′ production if there was another concept of kidnapping involved. Huh? Why avoid the element of kidnapping when in fact it was the soundly running gimmick that made the ‘Taken’ experience palpable and pulsating? Still, this is the least of ‘Taken 3’s bothersome problems as the movie delves in the manufactured mockery involving cliched car chases, sketchy gunplay and the inclusion of countless Russian mobsters parading about in obligatory fashion. Importantly, even Neeson seems quite disengaged as his robotic Bryan Mills goes through the motions trying to find some upside in the forced upbeat shenanigans that seem to trudge along scene after scene.

The very first outing in ‘Taken’ took audiences by surprised as it featured a matured Neeson as an avenging former CIA human weapon Mills committed to his fatherly duties in manhandling the Albanian human traffickers that dared to abscond his teen daughter Kim (Maggie Grace). In ‘Taken 2′, the hostile adversaries want Mills’s head on a platter after he tore up their territory in his crusade to rescue his precious offspring from the opportunistic ruffians. Now Mills finds his neck on the line in the connection with his ex-wife Lenore’s (Famke Janssen) brutal murder. Look out LA…the harried Bryan Mills is out in survival mode. The question remains: whose blood will be spilled in the process?

Prior to Lenore’s senseless demise, she had visited her ex-hubby Bryan and the feelings between the former spouses are still strong. Mills still carries an emotional torch for Lenore but he cannot act upon his affections for her. Poor Lenore is trapped in her current unhappy marriage with an insufferable moneybags misfit Stuart St. John (Dougray Scott). In the aftermath of Lenore’s death, the distraught and beleaguered Mills finds out the trouble that he is embroiled in so convincingly. As a result of his former lover’s slaughtering Bryan Mills is reeling with outrage. Yes, folks, it appears that Mills is on the run and must prove his innocence and bring to the forefront the murderers that butchered Lenore. Mills has on his mind the need to protect his exposed college-aged daughter Kim from potential harm as well.

In the meanwhile, the LAPD lead investigator in Franck Doltzer (Oscar winner Forest Whitaker, ‘The King Of Scotland’) must track down the defiant Mills and make some sense out of the Lenore Mills St. John slaying. Mills proves to be elusive and crafty as usual while leaving behind his trademark trashing of battered bodies and bouncing bullets in the chaotic southern California streets.

Seemingly, the catchy novelty act of a hulking middle-aged Neeson exploding at the seams in action-oriented fashion resonated with glorious forethought. After all, ‘Taken’ single-handily resurrected Neeson’s box office cred and made him a cinematic hipster to the young folks and his aged contemporaries alike. However, the third time is not the charm in revisiting the gun-toting ‘grandpa’. Sadly, ‘Taken 3′ is mindlessly played out as Neeson’s Mills or the handlers behind this hollow hedonistic actioner have dipped their toes in an empty well of ideas to conclude this three-part crime caper.

Let’s face facts…we all were ‘Taken’ in by this pseudo punchy action yarn that no longer generates the destructive heat it once punctuated with carefree confidence.

Taken 3 (2015)

29th Century Fox

1 hr. 49 mins.

Starring: Liam Neeson, Forest Whitaker, Famke Jannssen, Maggie Grace and Dougray Scott

Directed by: Olivier Megaton

Rated: PG-13

Genre: Action and Adventure/Crime thriller/Mystery and Suspense

Critic’s rating: ** stars (out of four stars)
I was looking forward to this movie and I have to say that I was a wee bit disappointed. It is a decent enough action movie but the script leaves somewhat to be desired. A good chunk of the movie is quite good, actually it is very good, but there are some crucial scenes that, in my opinion, really drags it down to a rather mediocre level.

The plot is a fairly classical, not a very intelligent nor a very original, one. When trying to push the third sequel in a series Hollywood have a tendency to fall back on certain “trusted” elements. Like, make the hero haunted by the law and / or the government (no I do not consider the government to be the same as the law) or kill off some of the main (or at least likable) characters.

In this movie they are doing both. I do not know why this always seems to be the standard solution because I certainly do not like it. Are the general movie going audience really falling for these, in my mind, cheap scripts? I guess they must be since this formula is repeated over and over again. Well, it is not for me to judge other peoples tastes and if I would have been a bean counter for the movie industry then it would really have been my duty to squeeze out as much money as possible regardless of whether I thought it would make a good movie or not, However, I am not. I am a consumer of movies and my personal opinion is that these plot elements are pretty cheap and not really to my liking. But then, that is just me.

Anyway, the movie is not really bad. It is a decent enough action movie and, in general, I quite like the performance of Liam Neeson. He is the half-sad, silent and, most of all, ass-kicking hero that I like. He is pretty much what holds this movie together. Well, that was perhaps not entirely fair. Forrest Whitaker is doing a quite good job as well. Most of the other characters are mostly fillers. The main bad guy started off fairly good but he really never got the chance to shine and the ending scenes with the big confrontation was…well I would say pretty pathetic.

This brings us to my man gripe with this movie. Up until this point Liam Neeson was really playing the big bad, and really skilled, killing machine. The way he, with the help of his friends, entered the bad guy’s stronghold was perhaps not very innovative (seen that, been there, and done that) but at least it was professional. After that however it turned into a bloody joke. Not only does our hero walk into a heavily defended stronghold carrying only a small pea shooter but every time he manages to liberate a decent weapon from the hopelessly incompetent bad guys he throws it away and, occasionally, picks up another pea shooter. What the f…?

Then we have the fairly ridiculous big fight at the end where the bad guy runs around in his underwear. That was just embarrassing. Maybe I could have swallowed the underwear thing if it was not for the fact that Lieam Neeson suddenly lost all kind of professionalism. Apart from the pea shooter syndrome mentioned before he just gets himself wacked by this maniac until, in the last minute, he miraculously recovers and gets the upper hand. There were a few minor glimpses of intelligence in the whole scene but they were never really exploited.

On the whole, if would say this was a fairly decent and enjoyable action movie but I was expecting more from it. If the last third of the movie would have matched the first two thirds then my rating would have been higher. Maybe Liam Neeson is not a big enough star, although I like him a lot, to pick his roles like he wants to but I would say that he should indeed be a bit more picky and read the scripts before signing on.
I can handle the 47 cuts and shakey cam poorly trying to hide the fact that Liam Neeson can't run. I can handle the inevitability of "More money means more explosions!" in franchises like these. I can even contort myself to handle the right-out-the-gate fridging of one of my favourite actresses that _Taken 3_ copped so much flak for. But what I cannot handle is how absolutely fucking dumb this movie gets in the second half. Every five minutes my roommate or I had to scream "WHAT!?" at the things that were happening on screen, and disparage the various idiotic and/or nonsense decisions that were being made.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Unbroken 2014 on Redbox

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Movieteam

Coordination art Department : Ilyane Aryana

Stunt coordinator : Afshan Cailyn

Script layout :Bérubé Wheeler

Pictures : Brossat Vikita
Co-Produzent : Wilder Burnett

Executive producer : Zwirn Reem

Director of supervisory art : Etoile Aleta

Produce : Yashika Malrieu

Manufacturer : Rouve Galina

Actress : Bauer Cheikh

A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.

7.4
2384

Movie Title	Unbroken
Clock	154 seconds
Release	2014-12-25
Quality	MPEG-1 1440p BDRip
Genre	Drama, War
speech	Italiano, English, 日本語
castname	Cooper R. Littré, Isia F. Saniha, Kaia I. Frances

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Film kurz

Spent : $370,098,805

Revenue : $849,195,570

Categorie : Rache - Abtreibung , Literatur - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Geschichte - Super Heroes gesunder Menschenverstand , Ziel - Poesie

Production Country : Kenia

Production : P&D Consulting

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Sully 2016 on Redbox

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Movieteam

Coordination art Department : Winona Kaylin

Stunt coordinator : Hélie Jiten

Script layout :Juliusz Norton

Pictures : Ariful Skylar
Co-Produzent : Hajirah Ramir

Executive producer : Axelos Ayham

Director of supervisory art : Najmo Erona

Produce : Maylis Serres

Manufacturer : Morag Ashaya

Actress : Jason Bilal

On 15 January 2009, the world witnessed the 'Miracle on the Hudson' when Captain 'Sully' Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and career.

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Movie Title	Sully
Moment	131 seconds
Release	2016-09-07
Kuality	MPEG-1 1440p VHSRip
Categorie	Drama, History
language	English
castname	Gallo G. Zuniga, Jolie U. Weiss, Ciaran D. Anuj

[HD] Watch Sully 2016 on Redbox

Film kurz

Spent : $632,557,454

Income : $058,905,757

category : Chrestomathie - Polizei , Boats - Benzin , Romantisch - Widerstand paradox , Raum - Einfach

Production Country : Afrika

Production : Stearns Castle

Sully Definition of Sully by MerriamWebster ~ Verb The spelling of sully has shifted several times since it was sylian in OldEnglish but its meaning has remained essentially the same to soil If youre looking for other words that mean to soil you can try out befoul besmirch blacken foul grime stain or simply dirty

Sully 2016 IMDb ~ The story of Chesley Sully Sullenberger Tom Hanks an American pilot who became a hero after landing his damaged plane on the Hudson River in order to save the flights passengers and crew Menu Movies

Sully definition of sully by The Free Dictionary ~ Sully United States painter born in England of portraits and historical scenes 17831872

Sully Definition of Sully at ~ verb used with object sul·lied sul·ly·ing to soil stain or tarnish to mar the purity or luster of defile to sully a reputation verb used without object sul·lied sul·ly·ing

Sully 2016 Rotten Tomatoes ~ Tom Hanks stars in this thrilling portrait of heroic airline pilot Chesley Sully Sullenberger reenacting his incredible successful emergency landing of an Airbus A320 full of passengers on

Sully Synonyms Sully Antonyms MerriamWebster Thesaurus ~ 18 synonyms of sully from the MerriamWebster Thesaurus plus 16 related words definitions and antonyms Find another word for sully

Watch Sully Prime Video ~ This crash film depicting the real story of a US Airways flight in 2009 goes way beyond the attempt to thrill and surprise viewers with crash sequences It goes deep deep into the heart and soul of survivors especially the pilot Sully who did the untrained and nearimpossible Hudson River landing with no engine power

Sully Sullenberger – Official Site of Sully Sullenberger ~ Capt Chesley Sully Sullenberger the heroic “Miracle on the Hudson” pilot and his namesake Sully late President George Bush’s loyal service dog come facetoface for the first time live on TODAY The pooch is gearing up for his next assignment at Walter Reed National Military Medical Center Watch the video in the full article

Sully film Wikipedia ~ Sully also known as Sully Miracle on the Hudson is a 2016 American biographical drama film directed by Clint Eastwood and written by Todd Komarnicki based on the autobiography Highest Duty by Chesley Sullenberger and Jeffrey Zaslow

Sully 2016 Plot Summary IMDb ~ On January 15 2009 flight 1549 left New York City but shortly after taking off theres an accident that wrecks the planes engines They were told to return to the airport but pilot Chesley Sully Sullenberger decides that the plane wont make it to the airport so he chooses to land in the Hudson River

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Filmmaker Clint Eastwood is certainly no stranger to overseeing exploratory biopics and his latest effort in **Sully** definitely supports his cinematic vision for spotlighting an unknown everyday aviation professional into an overnight national hero. Thus, airline pilot Captain Chesley "Sully" Sullenberger became an inspirational savior courtesy of the potentially fateful day on January 15, 2009 when US Airways Flight 1749 morphed into the celebrated newsworthy incident dubbed "Miracle on the Hudson"

In **Sully** Eastwood and screenwriter Todd Kormarinski presents Captain Sullenberger as an understated hero in the unconventional sense. Indeed, Sullenberger had his personal demons and doubts about that critical day years ago when his quick decision to land the doomed aircraft in the icy waters of the Hudson River in the aftermath of a freakish occurrence when a flock of birds managed to disable the engine's operation shortly after takeover from LaGuardia Airport. The label of "hero" may have been somewhat flattering for the veteran pilot in light of his accomplishment in saving the lives of his 155 passengers and crew courtesy of a risky landing that could have been their hellish watery graves. However, the burdensome christening of "hero" weighed heavily on Sullenberger especially when insulting suspicions arose questioning the pilot's actions. Sure, Sullenberger basked in instant adulation but his private torment was almost as haunting as the near tragedy he prevented when ensuring the airborne safety of those jeopardized on board.

The challenging task in **Sully** was to create the tension and psychological strife behind an infamous 6-minute flight headed for disaster. Thankfully, Eastwood's steady direction and Komarnicki's adventurous script captures the tense and anxiety-driven moments that fuels **Sully's** soulful foundation. More important, two-time Oscar winner Tom Hanks diligently fits the bill as the beleaguered Captain Sullenberger whose personalized battles with heroism caused pressured ambivalence and self-inflicted guilt. It has been an awful long time since Hanks was tapped for an Oscar nomination so let's hope that his solid work in **Sully** warrants Academy Award consideration.

Some may be rather cynical about Eastwood's daring narrative as the self-explanatory story has been interpreted in so many news accounts, documentaries, the personal accounts from the Flight 1749 survivors and to a certain extent Captain Sullenberger himself. Still, **Sully** sets out to examine a conflicted and confused man second guessing his aviation skills and instincts as an individual thrust into the national spotlight with a combination of hope and hesitation.

Not only had the quick-thinking Sully and co-pilot Jeff Skiles (Aaron Eckhart in a welcomed, absorbing supporting role) dodged a major catastrophe when accidentally flying into the cluttered Canadian geese that caused the ice-cold water landing in the Hudson but they were actually scrutinized by the National Transportation Safety Board (NTSB) regarding Sully's decision not to return the malfunctioning plane to LaGuardia Airport or toward a nearby airport therefore opting to gamble using the Hudson River as the immediate surface available to land.

Naturally, the sudden media attention anointing the heralded pilot as a heroic soul coupled with the mixed reception of the buzz-killers in the NTSB speculating that foul play may have been involved for the piloting tandem of Flight 1549 understandably heightened the self-doubts and generated Sully's Post-Traumatic Stress Disorder. In the meantime, Sullenberger's wife Lorrie (Academy Award nominee Laura Linney) as well as other close family and associates are constantly being hounded by intrusive reporters in their attempt to get an exclusive piece of the cherished "man of the moment" in Chesley "Sully" Sullenberger.

Granted that **Sully** will not go down as one of the flashiest biopics to cross our paths on the big screen in recent years. But Eastwood does deserve credit for showcasing the somber and beleaguered Sullenberger as a low-key, loyal isolationist dealing with the newfound fame and appreciation he is awkwardly at odds with facing as the Hudson River landing/rescue still chomps at his tainted psyche. Hanks's portrayal of the extremely likable but reluctant hero with lingering reservations is a stark contrast to contemporary cinematic heroes that routinely defeat monsters and aliens, parade around as slick and resilient super spies, wear superhero masks and capes, solemnly walk the mean streets with ready-made badges and firearms or are war-torn warriors from ancient historical times. Quite frankly, Chesley "Sully" Sullemberger is a flawed yet conscientious man urged to question his own courageousness and professional conviction.

Eckhart's Stiles is effectively drawn as Sully's ardent supporter whose disbelief is tested when the NTSB has the nervy gumption to place his capable colleague under the dubious microscope after his amazing endeavor in protecting the sacred lives all on board the panicky plane destined for its doomsday fate. Conveniently, Eastwood inserts Anna Gunn (from TV's "Breaking Bad") as one of the perceived NTSB interrogating "baddies" trying to pin the wrap on Sully's numb shoulders in reference to his troubling flight methods. Linney, always the talented and involving actress, is merely reduced to displaying the commonplace hysterics of Sully's concerned spouse.

Perhaps **Sully** is not the most thoroughly in-depth biopic one would have imagined because we are working with the perplexing man whose heroic actions made us aware of this seasoned phenomenal flyboy glorified in our living rooms nearly two decades ago. There is not much to ponder about Eastwood's fictitious Sullenberger from his past that gives insight to his current-day characterization as the media-praised hero-in-healing. In all fairness, Captain Chesley "Sully" Sullenberger's claim to fame was his hasty option to spare the endangered existences of his passengers and crew so Eastwood allows his problematic protagonist's questionable heroics to paint the picture as the incredible individual whose January 2009 resourcefulness spoke more truthfully than any miscellaneous flashbacks could do to justify Sully's angst-ridden tendencies.

Overall, **Sully** establishes a different kind of turbulence for an introspective yet gently intense wounded wonder tip toeing on the borderline of deserved and deceptive worship.

**Sully** (2016)

Warner Bros.

1 hr. 36 mins.

Starring: Tom Hanks, Aaron Eckhart, Laura Linney, Jeffrey Nordling, Jamey Sheridan, Michael Rappaport, Anna Gunn, Valarie Mahaffey

Directed by: Clint Eastwood

MPAA Rating: PG-13

Genre: Drama/Biopic

Critic's rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**When a real human bravery wasn't appreciated till the computers confirmed it.**

Another excellent biographical drama for Tom Hanks in the title role. He has transformed from captain Phillips to captain Sully. Another great addition to Clint Eastwood's filmography as well, he never disappoints us. This film was based on the real event of the January 15, 2009. When a US passenger plane got hit by birds just after the take off, losing both the engines, landed on the New York's Hudson river. So the film reveals the heroic event, as well as followed by the investigation of the crash landing.

As it is a Hollywood film what should I expect, another American bravery? Yep, but still a good film, very engaging plot. It's not all about the plane event, because I thought one of the film poster is a spoiler. So the film covers more story, about the drama surrounding the main event. Especially saving the lives, that inspires even for the outside Americans. The entire narration is about two-three day affair, but most of the film was about the crash landing. From the actors to the visuals, all were top class. One of the best biopic that's not based on one's whole life, but one heroic attempt which will be remembered him and this film for forever.

_8/10_